My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I found this book to be a compelling and eerie read. Evie Boyd leaves home to join a cult reminiscent of Charles Manson’s “family.”
Even if you’re largely unaware of the actions of Manson and his followers in the late sixties, you’d likely pick up on how closely the fictional storyline is modeled after the infamous group and its crimes. While Cline doesn’t recreate the events of the Manson cult, the trajectory the story follows is reminiscent of reality, especially when the girls break into a home—the calling card of Manson’s followers.
I really enjoy that while the story is very much linked to Manson and his family, Cline’s vivid writing style sets it apart.
A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.
If you're lost, they'll find you...
Evie Boyd is fourteen and desperate to be noticed.
It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.
If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where…
I found this novel to be emotionally gripping and suspenseful. It is a historical thriller rooted in truth. It follows women affected by a serial killer in the seventies.
The killer is a depiction of Ted Bundy, though he’s only referred to as “the defendant”—a purposeful choice on behalf of Knoll, who succeeds in taking away his notoriety while giving a name to the women he affected. I appreciate that by focusing on the victims and survivors, it flips the narrative on its head, veering away from the predictable or sensational.
Knoll's writing is, as always, superb. I applaud Knoll for her fresh take on the true crime genre, for not romanticizing a killer, and for crafting a relatable, moving tribute to victims and survivors.
A Richard & Judy Book Club pick New York Times Bestseller A Goodreads Choice Award Finalist
Bright Young Women is an unflinching thriller based on Ted Bundy's heinous crimes, as two women search for justice in the wake of his brutal murders. From Jessica Knoll, author of the New York Times bestseller and #1 Netflix movie Luckiest Girl Alive.
'A compelling, almost hypnotic read' - Lisa Jewell, bestselling author of None of This is True
'Knoll deconstructs the myth of a criminal mastermind, revealing the women he seeks to destroy as the truly brilliant ones' - Flynn Berry, author of…
I first read Room more than a decade ago, and it’s one of those haunting stories that’s stayed with me ever since. It’s loosely inspired by the kidnapping of a woman named Elisabeth Fritzl. The author has been quoted saying that she was “triggered” by the case. The real-life story is chilling, and so is Donoghue’s fictional take on the subject.
I consider the novel to be an absolute standout. I find it particularly captivating because it’s told from the point of view of the imprisoned woman’s five-year-old son. At times, it is a difficult read because of its subject matter, but it has heart, and by telling the story through the eyes of a child, Donoghue crafted a novel you won’t soon forget.
A major film starring Brie Larson. Shortlisted for the Man Booker Prize. Shortlisted for the Orange Prize.
Picador Classics edition with an introduction by John Boyne, author of The Boy in the Striped Pyjamas.
Today I'm five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I'm changed to five, abracadabra.
Jack lives with his Ma in Room. Room has a single locked door and a skylight, and it measures ten feet by ten feet. Jack loves watching TV but he knows that nothing he sees on the screen…
I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.
Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.
As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.
That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of Thomas Harris' The Silence of the Lambs--an unforgettable classic of suspense fiction.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
Ten years ago, the mass suicide of a cult known as the Flock sent shockwaves through a small rural town. Led by the charismatic Dominic Bragg, the Flock camped at an abandoned bird sanctuary before their sudden and shocking demise. The deaths came just weeks after one of their members, Laurel Tai, a local pageant queen, was abducted. The town turned its blame onto the sole survivor, Claire Kettler—Laurel’s best friend.
Burdened by grief and unanswered questions, Claire can’t help but wonder what really happened. When podcaster Arlo Stone begins poking around, determined to uncover the truth, Claire is propelled into action to finally find answers to her friends’ deaths before Arlo can broadcast her secrets to thousands of listeners.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
